News
Rachel Reeves for FT Magazine {Paywall}
Lake Shearing for De Standaard {Paywall}
Rival Consoles Landscape from Memory press shots
Geoff Dyer for De Standaard der Letteren {Paywall}
Archipel Literary Festival Sint-Niklaas, Belgium Artwork
Pavel Kolesnikov & Samson Tsoy for The Standard
Acquisition National Portrait Gallery: Jamie Oliver and Peter Mandelson
My Apple, Your Eye Exhibition Concertgebouw Bruges 9 February — 4 May 2025
M-A (A Space Between) interview and feature
Stefan Vanthuyne A Portrait that has Nothing to Prove C4Journal
About
“An experience is not, and never is, perceived in its entirety. It is essentially something that flows, and starting from the present moment we can swim after it, our gaze reflectively turned towards it, whilst the stretches we leave in our wake are lost to our perception. Only in the form of retention or in the form of retrospective remembrance have we any consciousness of what has immediately flowed past us.”
From ‘Ideas’, Edmund Husserl, 1931
Through her distilled and often surreal works, Eva Vermandel (°1974) explores how we perceive the world, drawing attention to the mundane by suspending its ‘normality’. Her work is in the collections of the V&A, London; the National Portrait Gallery, London; and the National Galleries of Scotland, Edinburgh. She published her first monograph ‘Splinter’ in 2013 with Hatje Cantz.
Concurrently with her artistic practice, Eva undertakes commissions as an editorial portrait photographer and has collaborated on long-term international projects, most notably with the Icelandic band Sigur Rós and the Sydney Festival. Belgian born, she has been based in London since 1996.
Eva works as a part time lecturer at LCC, London, BA Photography.