Eva Vermandel’s practice explores how we perceive the world, drawing strongly on Edmund Husserl’s concept of epoché: the suspension of normality.
Her work is in the collections of the V&A, London; the National Portrait Gallery, London; and the National Galleries of Scotland, Edinburgh. She published her first monograph ‘Splinter’ in 2013 with Hatje Cantz.
Concurrently with her artistic practice, Vermandel undertakes commissions as an editorial portrait photographer and has collaborated on long-term international projects, most notably with the Icelandic band Sigur Rós and the Sydney Festival.
Eva lives and works in London, where she lectures in Photography at Middlesex University.